A Little Nudity ARther, from a plot by Dark Oni
Strutting briskly in nearly three-foot paces, the sultry woman moved through the atrium of the downtown office building. Her well-proportioned body, classically structure face, and a rear that moved with piston precision caught the eye of every man present by the time she arrived at the elevators. Entering the first available car, she hit the pad for her intended destination – the 14th Floor and the McKern & Derrick Advertising Agency’s Commercial Studio.
Flouncing up to the receptionist, the woman, wearing a tailored coat, broad brimmed hat and sunglasses, told the receptionist, “I am here to see Vonda Lewinski.” The receptionist asked if she had an appointment. “No, but she’ll see me. I am Gisele, the famous Parisian fashion model.”
Not waiting for a reply, Gisele quickly moved past the receptionist into Vonda’s office. There she confronted Vonda, a wearied woman in an Ann Taylor power suit, who was have a talk with Robers, a French cinematic director of short stature who hid his lack of hair beneath a red beret.
“I demand to know why you did not respond to my offer to appear in your new commercial,” Gisele said as she slammed on Vonda’s desk the casting call printed weeks before in the local trade paper. The ad read: “Wanted: The cutest girl in the world to star in new ad campaign…”
“You do not think Gisele is cute? You dare to disagree with every man in the Western Hemisphere?” Gisele haughtily said as she threw back her shoulders and tousled her hair. “I am trying to move from modeling into acting. A role in a major ad campaign would help me achieve that. As a result, I am willing to work for less than my normal fee,” she added.
“We just didn’t think you were right for this campaign. You see, it requires some nudity,” Vonda noted.
“Gisele is not worried about a little nudity. I have modeled for Victoria’s Secret, Donna Karen lingerie, underwear in the Bloomingdale’s catalog and related advertising. Check page 3, lower right-hand corner in yesterday’s New York Times,” the fashion model irately responded.
“But I still don’t think…” Vonda continued.
“You don’t think? Then check this out,” Gisele insisted as she tossed off her coat and hat, unzipped her dress and stepped out of it. She stood before the two ad people in only her lilac-tinted 40D low-cut lace bra, lace-accented bikini panties, matching garter belt, light orchid silk stockings, and claret red high-heel shoes. “You think you can do better than this,” Gisele insisted as she began to take modeling turns in the small office.
“What do you think?” Vonda asked Robers. “I agree with you. The girl in this ad would not be wearing silk stockings or a garter belt,” Robers exclaimed.
“I get it. This ad is for that new Italian sports car. You want raw sexuality,” Gisele said as she undid the garters and slowly slid the stocking down her legs in a manner she hoped would titillate Robers. Not getting a rise from him, Gisele unhooked her garter belt and snapped it in Robers’ direction. He caught it and draped it over the chair next to him. “And he claims to be a Frenchman?” Gisele grumbled in thought.
“Well, now what do you think?” Vonda again asked Robers. “The girl in this ad also wouldn’t be wearing a brassiere,” he added.
“Then this is for that expensive brand of cognac,” Gisele cheered as she reached back and undid the small hooks at the rear of her bra. Grinning slyly, she quickly slipped the Lycra-sided contraption off and immediately covered her naked breasts with her arm so as not to let anyone get even a minute view her nipples. “Sexy enough for you? I can help you sell lots of cognac.”
“We don’t have the cognac account,” Vonda began. But Robers interrupted her. “Why don’t we give her a screen test before our new computerized camera?” he suggested. Gisele demanded it. And Vonda smiled.
Wearing only bikini panties and high-heel shoes, Gisele, her arms clutched tightly across her breasts, and her bra held tightly in one hand, trotted briskly through the studio behind Robers, to the surprise and astonishment of all present. The fashion model soon stood before the strangest piece of photographic equipment she ever saw. Resembling a large camcorder, the device had blinking lights, thin glass tubes full of a bubbling green liquid, and a top-mounted ball surrounded by visible static electricity. “Never saw a camera like this before,” Gisele puzzled.
Robers carefully programmed the camera from an attached computer screen. He then donned lead-lined goggles and advised Gisele, “Now smile.” He then flipped a switch, which sent a bolt of amber light at Gisele, which completely encased her.
From within the amber ball, Gisele visibly began to shrink. Looking down, Gisele noticed that her 40D breasts where losing mass quickly. Thinking it might help, she tried to put back on her bra, only to find it no longer fit. Worse, her panties and shoes were becoming loose. She looked out at Vonda and Robers, and saw then grinning broadly.
From their vantage point, Vonda and Robers could see Gisele losing height and aging. They watched as Gisele, an increasingly shocked look on her face, valiantly grabbed her panties just as they began to slide off her rump. As Gisele’s shoes became too roomy for feet, they tipped inward, causing her to momentarily stand knock-kneed. This acted to hold her panties up, but as Gisele let go, they flopped downward and inside-out.
As her body passed the early grade school years, she tried to reposition her bra on her upper torso, only to have the straps slide off her thinning shoulders. At one point of this struggle, Gisele nearly had the bra upside-down. And then her feet slipped from her oversize shoes, causing her to first tip forward to her knees. Attempting to get up again, her descending panties tripped her backward for a one-point landing on her greatly reduced bottom. Tears welled in Gisele’s eyes as she inspected what remained of her body, which was now that of a 20-month-old baby.
“Wha’ happen?” baby Gisele said as she looked plaintively at the two advertising people.
“We used the latest in computerized morphing technology,” Robers said. “At first, this technology only could be used to alter images after they were captured on film. But a year ago, this technology was improved so that the images could be improved before they went on film. Most people don’t know that this technology was used to erase Drew Barrymore’s love handles during the filming of ‘Charlie’s Angels.’”
But Gisele was not happy in her second childhood. As Vonda attempted to pick her up, Gisele slammed the heel of one of her high-heel shoes into Vonda’s ankles. “You bad wady,” she whined. “You arrogant, self-important bitch,” Vonda grumbled as she whisked Gisele over her lap and began to administer a well-deserved spanking to the model’s diminished bare rump. Gisele reacted by crying as loud as she could.
But Robers stopped the punishment. “I know you hate when someone violates the sanctuary of your office and makes demands on you, but if you bruise her fanny, we won’t be able to shoot the commercial today. You know we’re behind schedule since the other baby began teething,” Robers told Vonda.
Taking naked baby Gisele into his arms, Robers carried her to the set where the commercial was to be shot.
“You just wouldn’t take a hint,” he told the baby. “The reason we said the commercial required a little nudity is because it is for a manufacturer of disposable diapers. It involves a comparison of how competing brands hold wetness. You’ll be photographed naked on a diaper, and having a blotter placed on your rear. But I assure you it will be photographed in the utmost taste and will look completely innocent. We’ll pay you for your work, and as soon as the commercial is accepted by the client, we'll reverse the regression.”
Gisele thought things over in her head. It was for only one commercial. Nobody will recognize her in it. And well, she really did look cute – the cutest little girl in the world! She’d do it without complaint.
That afternoon, it took 12 takes for the comparison shots, and 10 more for the blotter tests. Gisele was powdered and diapered 19 times by the adult lady actress in the commercial until Robers got the shot he wanted. Another 26 takes were necessary for the bottle feeding scene the concluded the ad, which resulted in Gisele requiring several more diaper changes.
Gisele was pleased with her work, although more than a bit unnerved that as the day progressed, it became harder to converse with the adults present. By day’s end, neither she nor they could understand each other. “Thank goodness this will be over in a few days,” Gisele thought.
Two days later, a rough-cut of the commercial was presented to the president of the diaper manufacturer. “This is wonderful,” he said. “That baby, with her haughty and superior attitude, really makes this ad. I’d like her in all future ads.” Vonda grinned, “Don’t worry. We’ll keep that baby around for as long as you want!”